Marco's Heart

You find yourself in a bright white, circular room. It's nearly empty; too bare, almost clinically so. But the bareness of it means that what is visible here stands out:
A podium in the center, where a familiar figure sits, head buried in his hands. Three paths running from the podium to three different spots near the edges of the room - not corners; circles don't have corners - where three doors leading seemingly nowhere stand with no regard for their complete lack of structural support.
It doesn't take you long to figure out where you are, does it? You only have to decide where to start.

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Right, the nature of these things means there's never a simple answer.
[Mal looks at the door standing in space.]
Any guess as to what's waiting for me in there?
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[She waits a moment, wanting to see what exactly "pleasant memories" looks like for Marco.]
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Agnes will follow behind her.
On the other side of the door is a cobblestone street under a cloudy night. The buildings seem relatively antiquated - definitely European. There is a delicious smell coming from one in particular; a blond man in a long coat and a hat stumbles towards it, seemingly led by his body more than by his senses.
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Is that really what it smells like to him?
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It probably feels at least a little strange. It's not as if it doesn't smell like blood; it's a thick, heavy, metallic scent. It just happens to be incredibly appealing at the same time, somehow.
The window on the building that the scent leads to is difficult to see through, but the sign outside labels it as an apothecary. The blond man - and Mal too, if she's keeping pace with him - step inside to find a small girl at the counter. It is obviously Agnes, albeit wearing clothes that must have been outdated even on the day this happened.
Also, she's almost definitely standing on a crate or a chair.
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You were a shop keeper, what a coincidence.
Wait, Marco. Can you hear me?
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The Agnes at the counter regards Marco coolly.
"Wipe your feet. Stand up straight." Her eyes narrow. "... State your business."
Marco's response comes in slow, heavily accented English.
"I, I felt... I smell... Why is it this much...?"
(The Agnes closer to Mal, meanwhile, whispers to her: "Not the best first impression he could have made, to be frank.")
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If he was keeping the same habits he has now back then, he was likely starving.
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"Come with me."
She walks through a door at the back of the establishment, and Marco follows her. Likewise, the Agnes guiding Mal signals at her to come along as well.
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If this is going where I think it is, how grisly will it be? I don't doubt you are capable of presenting a manner of feeding that is preferable to biting in a back alley, but...
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Indeed, the Agnes from the past pours blood from a bottle into a cup, then hands it to Marco, who drinks it like a man dying of thirst. He may very well have been, as Mal guessed. She sighs, but there's no sign of exasperation in the sound.
"How long?" She asks him.
"Ah..." He is visibly trying to do the math in a language he doesn't have the most solid grasp on yet. The words take longer to come to him than the numbers. "Maybe, a... cccentury... Not exactly..."
She blinks. Surely, he must have the wrong word.
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Is that... that shouldn't be possible, right? Even vampires have to have a limit.
[Mal takes a few steps closer to examine Marco more closely.]
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Darling, you gave me quite the fright there.
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"A century-old vampire wandering the streets in this state..." Despite the clarification, Agnes looks no less shocked. "Do you not know how to hunt? Where is your sire?"
For his part, Marco seems less eager to answer these questions, and not because of the language barrier; he doesn't even start trying.
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"Indeed. So I..."
The background blurs. When it coalesces into a solid shape again, Marco and Agnes are sitting at a table; he's gripping a book, staring it down intently.
"... But perhaps you don't need to see this," Agnes says, with relatively good humour. "He has told you already, I believe."
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Mm. He has, it's nice to see in person though. What did you use to teach him?
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She doesn't seem to understand the question. Meanwhile, Marco is squinting at the words on the page, apparently struggling to find a good viewing distance.
"... I must admit, perhaps I wasn't the most qualified for the position."
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I meant which books, Agnes. I was taught on Bible stories, but that hardly seems appropriate here.
Oh heavens, his glasses...
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Indeed, Marco and Agnes are currently finding out he needs glasses. The pair she has on hand for him doesn't suit him terribly well, but it helps; he still reads somewhat haltingly, but he's no longer squinting.
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Already, this memory is fading. It seems there wasn't that much to see. Their surroundings take a little longer to solidify this time, but once they do, Marco is sitting alone at a desk in a sparsely-decorated room. It looks like he's writing a letter.
"... Ah," Agnes says. "This is... after he set out on his own again."
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