Marco's Heart

You find yourself in a bright white, circular room. It's nearly empty; too bare, almost clinically so. But the bareness of it means that what is visible here stands out:
A podium in the center, where a familiar figure sits, head buried in his hands. Three paths running from the podium to three different spots near the edges of the room - not corners; circles don't have corners - where three doors leading seemingly nowhere stand with no regard for their complete lack of structural support.
It doesn't take you long to figure out where you are, does it? You only have to decide where to start.

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Dear Agnes,
I believe I am finally settling, despite my wretched timing (as I mentioned previously). Even in this short time, I have hopes that the economy is starting to recover. Maybe unfounded? I have tried to read some theory, but I have to admit it's somewhat tedious.
Regardless, I have carved myself a little niche in this city. I work most nights as a pianist. The pay is enough, and I am getting by, so please don't worry. (You are worrying! I know that you worry.)
I do miss your company and, yes, your supplies. As of my writing, I have worked out a method. Much like the piano playing, it is working, and I am getting by...
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I'm glad I'm not the only woman who worries after him, though.
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Agnes looks... thoughtful.
"Is he leaving a trail of concerned women in his wake...?"
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Frankly, I'm almost certain that most men do leave a trail of concerned women after them.
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"I think I would have liked to meet you, Miss St. Clair."
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"... That was brief." Agnes frowns, but it seems there's nothing she can do to stop this.
When things slow down, Marco is at a different desk, in a room that looks more like an office; a small, messy one, the kind that looks repurposed from an otherwise unused room. His hair is longer now, his glasses significantly chunkier, and he is staring at some kind of metallic board with traces and doodads like it's a precious treasure.
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Is this a computer? It looks so... small. And how is one even supposed to use something like this?
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Agnes is just watching, this time. Looking on fondly.
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That it would, if they are capable of all you've told me they are.
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He seems... just a little flustered.
"It's amazing how small they've gotten these things already. A little more work and I really think machines able to send people to the moon are going to become a lot more commonplace in regular homes."
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In what year? Surely, at least a hundred from my day.
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In Forty five years? In my lifetime we make it to the moon?
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There is a genuine kind of thrill that Mal might never have heard in Marco's voice before.
"... I want to be part of it."
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[Look at this couple of pioneers. One in technology, the other social justice. Surely nothing could ever change their friendship.]
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"It is time for the next one."
The transition doesn't take long, this time. They're in Agnes' "establishment" once again; the building is either not the same, or it has been extensively renovated over the years, but there are certainly shelves stocked with blood in here. A few vampires seem to be dining, in fact.
But, most importantly, there is an Agnes who looks exactly like Mal's guide, and there is a Marco who looks exactly like this.
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The Agnes in this memory looks at a gift-wrapped box with the suspicion and skepticism of an adult who has been telling Marco that she doesn't need gifts for nearly a decade.
"Go on, it's yours," Marco tells her.
She relents and opens the box, revealing an absolute brick.
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What in heavens is that thing?
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