Marco's Heart

You find yourself in a bright white, circular room. It's nearly empty; too bare, almost clinically so. But the bareness of it means that what is visible here stands out:
A podium in the center, where a familiar figure sits, head buried in his hands. Three paths running from the podium to three different spots near the edges of the room - not corners; circles don't have corners - where three doors leading seemingly nowhere stand with no regard for their complete lack of structural support.
It doesn't take you long to figure out where you are, does it? You only have to decide where to start.

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"A century-old vampire wandering the streets in this state..." Despite the clarification, Agnes looks no less shocked. "Do you not know how to hunt? Where is your sire?"
For his part, Marco seems less eager to answer these questions, and not because of the language barrier; he doesn't even start trying.
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"Indeed. So I..."
The background blurs. When it coalesces into a solid shape again, Marco and Agnes are sitting at a table; he's gripping a book, staring it down intently.
"... But perhaps you don't need to see this," Agnes says, with relatively good humour. "He has told you already, I believe."
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Mm. He has, it's nice to see in person though. What did you use to teach him?
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She doesn't seem to understand the question. Meanwhile, Marco is squinting at the words on the page, apparently struggling to find a good viewing distance.
"... I must admit, perhaps I wasn't the most qualified for the position."
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I meant which books, Agnes. I was taught on Bible stories, but that hardly seems appropriate here.
Oh heavens, his glasses...
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Indeed, Marco and Agnes are currently finding out he needs glasses. The pair she has on hand for him doesn't suit him terribly well, but it helps; he still reads somewhat haltingly, but he's no longer squinting.
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Already, this memory is fading. It seems there wasn't that much to see. Their surroundings take a little longer to solidify this time, but once they do, Marco is sitting alone at a desk in a sparsely-decorated room. It looks like he's writing a letter.
"... Ah," Agnes says. "This is... after he set out on his own again."
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Indeed, the decor is probably not dissimilar to what Mal might be used to.
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It looks like all Marco is doing is writing this letter... Will Mal take a look?
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Dear Agnes,
I believe I am finally settling, despite my wretched timing (as I mentioned previously). Even in this short time, I have hopes that the economy is starting to recover. Maybe unfounded? I have tried to read some theory, but I have to admit it's somewhat tedious.
Regardless, I have carved myself a little niche in this city. I work most nights as a pianist. The pay is enough, and I am getting by, so please don't worry. (You are worrying! I know that you worry.)
I do miss your company and, yes, your supplies. As of my writing, I have worked out a method. Much like the piano playing, it is working, and I am getting by...
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I'm glad I'm not the only woman who worries after him, though.
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Agnes looks... thoughtful.
"Is he leaving a trail of concerned women in his wake...?"
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Frankly, I'm almost certain that most men do leave a trail of concerned women after them.
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"I think I would have liked to meet you, Miss St. Clair."
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"... That was brief." Agnes frowns, but it seems there's nothing she can do to stop this.
When things slow down, Marco is at a different desk, in a room that looks more like an office; a small, messy one, the kind that looks repurposed from an otherwise unused room. His hair is longer now, his glasses significantly chunkier, and he is staring at some kind of metallic board with traces and doodads like it's a precious treasure.
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Is this a computer? It looks so... small. And how is one even supposed to use something like this?
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Agnes is just watching, this time. Looking on fondly.
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