Marco's Heart

You find yourself in a bright white, circular room. It's nearly empty; too bare, almost clinically so. But the bareness of it means that what is visible here stands out:
A podium in the center, where a familiar figure sits, head buried in his hands. Three paths running from the podium to three different spots near the edges of the room - not corners; circles don't have corners - where three doors leading seemingly nowhere stand with no regard for their complete lack of structural support.
It doesn't take you long to figure out where you are, does it? You only have to decide where to start.

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Agnes is just watching, this time. Looking on fondly.
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That it would, if they are capable of all you've told me they are.
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He seems... just a little flustered.
"It's amazing how small they've gotten these things already. A little more work and I really think machines able to send people to the moon are going to become a lot more commonplace in regular homes."
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In what year? Surely, at least a hundred from my day.
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In Forty five years? In my lifetime we make it to the moon?
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There is a genuine kind of thrill that Mal might never have heard in Marco's voice before.
"... I want to be part of it."
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[Look at this couple of pioneers. One in technology, the other social justice. Surely nothing could ever change their friendship.]
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"It is time for the next one."
The transition doesn't take long, this time. They're in Agnes' "establishment" once again; the building is either not the same, or it has been extensively renovated over the years, but there are certainly shelves stocked with blood in here. A few vampires seem to be dining, in fact.
But, most importantly, there is an Agnes who looks exactly like Mal's guide, and there is a Marco who looks exactly like this.
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The Agnes in this memory looks at a gift-wrapped box with the suspicion and skepticism of an adult who has been telling Marco that she doesn't need gifts for nearly a decade.
"Go on, it's yours," Marco tells her.
She relents and opens the box, revealing an absolute brick.
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What in heavens is that thing?
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Aren't they supposed to be smaller, and... frankly I don't see how this thing is supposed to do anything besides make calls.
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Agnes and Marco aren't quite done talking, incidentally. Visibly stunned, if only barely, Agnes says:
"Marco, this must have been..."
But Marco shakes his head, smiling.
"Business has been going well. And I think this will turn out cheaper in the long run than booking a transatlantic flight every year just to see you."
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It might be cheaper, but wouldn't it be nicer to meet up in person. Even if you've talked on the phone?
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"You're... quite right, Miss St. Clair."
And everything blurs once again, for a while.
When the world clears up, they're in what appears to be the entrance hall of an opulent, but disheveled mansion. A half-dozen people aside from Marco are here, picking themselves up; a lanky man with dark green hair lies motionless on the floor.
Marco is in a strange position, half-kneeling, half-slumped forward. Agnes is there too, her small hands cradling his face.
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Good heavens, what even happened here?
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"There was... a battle of sorts here," Agnes tells her. "It's a rather long story. And, perhaps, not completely relevant."
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