Marco's Heart

You find yourself in a bright white, circular room. It's nearly empty; too bare, almost clinically so. But the bareness of it means that what is visible here stands out:
A podium in the center, where a familiar figure sits, head buried in his hands. Three paths running from the podium to three different spots near the edges of the room - not corners; circles don't have corners - where three doors leading seemingly nowhere stand with no regard for their complete lack of structural support.
It doesn't take you long to figure out where you are, does it? You only have to decide where to start.

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"He barely remembers it."
"Having to piece together his human life from what he remembers of this day... Is he even our son anymore?"
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Marco interrupts by knocking on the front door - lightly, as though afraid to break something. The door opens, and the one standing on the other side is...
Well, it's a man shaped very much like the Father. He seems more real, too; more three-dimensional, more present. His features are clearer. He has Marco's nose.
"Marco! Goodness gracious, where were you?" He throws his arms around Marco, who doesn't embrace him back so much as he collapses into his arms. "Your poor mother was worried sick. Come in, let her see you."
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Will you follow, Jarlaxle?
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The sight that follows is unpleasant.
It's her that he tears into first, with all the grace and care of a starving animal getting its first kill in days. He seems to have the presence of mind to cover her mouth and muffle her screams until her strength fails her, and to smack his father away (sending him crashing into a table) when he tries to separate them, but nothing else.
Marco drinks until there's nothing left to drink, and when his mother collapses, pale and drained, he goes for his father as well.
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"... You don't have to comfort me. It's okay."
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"I don't think it is. You are obviously still hurting from what you did when you were not in your right mind."
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The Parents clearly do not like hearing this.
"What is he saying?"
"Is he telling him to forget this? To IGNORE it?"
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"So I cannot comfort my friend who was just made to relive a terrible experience that he obviously regrets?"
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"He warned you, and for what?"
Marco looks away.
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He exhales.
"That is kind of you to say."
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"I have made terrible mistakes that have gotten people killed as well. I understand what it is to see the disaster of your own making and to know that if you had only chosen rightly, it would not have happened."
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"A kindred soul?"
"Can compassion outweigh sin?"
"It's important."
"It IS important."
And, in unison: "But..."
"When was the last time our son had an excuse?"
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It looks like the scene is going to settle on a cobblestone street under a cloudy night, with a familiar blond man following a captivating scent, but the Father interrupts -
"No, not this one. Further ahead."
- And everything zooms, indeed, further ahead, until the world settles into place again for real.
Now they're in a back alley, where men in striped suits and hats are locked in a gunfight. It is, once again, night time.
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He is in a suit, though. In fact, he's looking a lot more put together these days. Though he's dressed formally, his style marks him as a respectable member of society rather than a criminal like the other men here... which may mean nothing to Jarlaxle, unfortunately. Marco's hair is combed neatly, with small sideburns, and he also wears glasses now.
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Given that Jarlaxle just rolled a 26 on Perception, I'm going to assume he did find Marco. Since he did, he'll dash over there and provide cover for his friend, calling a pair of blades to his hands with his bracer of flying daggers and readying an action to stab or throw them if these gunfighters move to threaten them.
"Ah, Marco!" he greets him. "You look well!"
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Meanwhile, Marco seems kind of stunned that Jarlaxle just walks up to him, frankly.
"I-- I wasn't expecting you to--"
"How are you going to eat now, you little leech?"
"That's what you're worried about. That's all you're thinking about."
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I'm sorry he's awful
I'M SORRY...
Re: I'M SORRY...
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