Marco's Heart

You find yourself in a bright white, circular room. It's nearly empty; too bare, almost clinically so. But the bareness of it means that what is visible here stands out:
A podium in the center, where a familiar figure sits, head buried in his hands. Three paths running from the podium to three different spots near the edges of the room - not corners; circles don't have corners - where three doors leading seemingly nowhere stand with no regard for their complete lack of structural support.
It doesn't take you long to figure out where you are, does it? You only have to decide where to start.

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It seems Marco has written a decent bit! He keeps at it, but even though he doesn't move his lips, his voice reads it all out...
Dear Agnes,
I believe I am finally settling, despite my wretched timing (as I mentioned previously). Even in this short time, I have hopes that the economy is starting to recover. Maybe unfounded? I have tried to read some theory, but I have to admit it's somewhat tedious.
Regardless, I have carved myself a little niche in this city. I work most nights as a pianist. The pay is enough, and I am getting by, so please don't worry. (You are worrying! I know that you worry.)
I do miss your company and, yes, your supplies. As of my writing, I have worked out a method. Much like the piano playing, it is working, and I am getting by...
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She seems reluctant to elaborate.
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That's... ominous.
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...You... you know Marco best. Like, definitionally you kinda have to. So I... I trust whatever you think is the right call here. You said I should listen to you, and you seem trustworthy... so that's what I'm gonna do.
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Agnes guides you to the window - this room is two floors above ground level, but she points your eye to something that looks like it should be happening under the cover of a back alley. In truth, it was, but in showing you this memory herself, Agnes has to make some concessions.
In any case, down there, men in striped suits and hats are locked in a gunfight.
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[creeps closer to the window, looking out at the scene]
...Just like something out of one of Mal's stories...
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The gunfight isn't terribly important. It's only when it dies down, two or three men left on the ground bleeding to their deaths, that Marco walks in.
He's looking a lot more put together these days. Dressed formally, in a style that marks him as a respectable member of society rather than a criminal like the other men here; hair combed neatly, with small sideburns.
Also, the Marco writing a letter up here is still right where he was. Don't worry about it.
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[She can't let herself think that way. So she looks away until the gunfire dies down, and Marco appears. She glances back at him.]
Marco...?
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Well, er, no matter. The viewing angle is, perhaps, not that important. He's here for dinner.
It's a rather deliberate, controlled affair. One by one, Marco kneels at each criminal's side, bites down, and simply drinks until there's no more left to drink. Neat, silent and methodical.
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"Are you all right, Miss Void?"
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"May I offer you a drink?"
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She looks somewhat troubled. Not by your words, but by her inability to help.
... Somehow, you get the impression that's coming from Marco, moreso than Agnes herself.
"My apologies. I am... not sure what else I can offer."
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[there are so many thoughts swimming through her head]
Those men were his... h-his prey. They were already going to die, but they were prey. That's— that's what that was...
[Her voice quivers, but she honestly doesn't sound quite judgmental. She sounds quiet and distant... like she's in a far-off place.]
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...I was just... I...
A hungry part of me was... was thinking just how much of a waste them dying like that was. Obviously no one should ever die like that. A life snuffed out is an awful thing, every time. But that's not... that's not what I... that's not why I was...
...And then to see Marco actually do it...
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