Marco's Heart

You find yourself in a bright white, circular room. It's nearly empty; too bare, almost clinically so. But the bareness of it means that what is visible here stands out:
A podium in the center, where a familiar figure sits, head buried in his hands. Three paths running from the podium to three different spots near the edges of the room - not corners; circles don't have corners - where three doors leading seemingly nowhere stand with no regard for their complete lack of structural support.
It doesn't take you long to figure out where you are, does it? You only have to decide where to start.

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The background blurs. When it coalesces into a solid shape again, Marco and Agnes are sitting at a table; he's gripping a book, staring it down intently. He squints at the words on the page.
He's not wearing glasses.
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[ he leans in to take a closer look. ]
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"I had little to none learner-appropriate literature. Giving lessons to an illiterate man had never been in my plans."
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What are you talking about? This is great.
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"... It's an uneventful memory, but I suppose he cherishes it."
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This memory is fading already, though; it seems like there really wasn't that much to see here. The surroundings take a little longer to solidify this time, but once they do, Marco is sitting alone at a desk in a sparsely-decorated room. It looks like he's writing a letter.
"... Ah," Agnes says. "This is... after he set out on his own again."
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Where did he go next?
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Marco has written a decent bit already! He keeps at it, but even though he doesn't move his lips, his voice reads it all out...
Dear Agnes,
I believe I am finally settling, despite my wretched timing (as I mentioned previously). Even in this short time, I have hopes that the economy is starting to recover. Maybe unfounded? I have tried to read some theory, but I have to admit it's somewhat tedious.
Regardless, I have carved myself a little niche in this city. I work most nights as a pianist. The pay is enough, and I am getting by, so please don't worry. (You are worrying! I know that you worry.)
I do miss your company and, yes, your supplies. As of my writing, I have worked out a method. Much like the piano playing, it is working, and I am getting by...
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[ Mark S still doesn't know though soooooo...
Anyway, he leans over to read it. ]
... I didn't know he could play piano.
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"I-I'm just... decent."
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[ A shy little smile. ]
Maybe you can play for me sometime?
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If Marco was actually writing, rather than reliving the memory of doing it, he probably would have forgotten everything else he wanted to include in the letter on the spot.
"I, maybe. M-Maybe."
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When we're not in your heart, anyway.
... Sorry uh, I keep interrupting.
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Something heavy and sad and remorseful flashes across Marco's expression then -
"... I'm so sorry. In, in advance. I'm so sorry."
- and everything blurs again, even as Agnes frowns in the background.
When things slow down, Marco is at a different desk, in a room that looks more like an office; a small, messy one, the kind that looks repurposed from an otherwise unused room. His hair is longer now, his glasses significantly chunkier - think Luigi without the moustache, pretty much - and he is staring at some kind of metallic board with traces and doodads like it's a precious treasure.
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What's that...?
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"Oh, hello! This is a part of a computer." Marco pauses, pondering something. "Not sure how, ah, technical I should get with you. You're new to all this, I'm assuming?"
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Marco winks. You're talking to a memory AND to Marco, just roll with it.
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I work in Macrodata Refinement actually. So - uh - yeah, it's a lot of computer work.
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He holds up the circuit board in fascination.
"You can get practically the same result with just a few of these boards in a box."
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A whole room?
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