Marco's Heart

You find yourself in a bright white, circular room. It's nearly empty; too bare, almost clinically so. But the bareness of it means that what is visible here stands out:
A podium in the center, where a familiar figure sits, head buried in his hands. Three paths running from the podium to three different spots near the edges of the room - not corners; circles don't have corners - where three doors leading seemingly nowhere stand with no regard for their complete lack of structural support.
It doesn't take you long to figure out where you are, does it? You only have to decide where to start.

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"Such a noble young man...!"
...
It seems that's all they have to say in response to that question.
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Is this the first time he turned?
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"Of course it is. This is the day our son died."
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"There is so much more. Look, look, we can show you...!"
Their surroundings are starting to blur, as is Marco. This memory is coming to an end, apparently.
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[He closes his eyes for a moment so he doesn't get too disoriented]
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"No, not this one. Further ahead."
- And everything zooms, indeed, further ahead, until the world settles into place again for real.
Now they're in a back alley, where men in striped suits and hats are locked in a gunfight. It is, once again, night time.
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"Two hundred years later? Maybe less?"
"So much time."
"So much sin. He only remembers some of it."
The gunfight isn't terribly important. It's only when it dies down, two or three men left on the ground bleeding to their deaths, that Marco walks in.
He's looking a lot more put together these days. Dressed formally, in a style that marks him as a respectable member of society rather than a criminal like the other men here; hair combed neatly, with small sideburns. He wears glasses now.
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The affair is much more deliberate and controlled than what happened with his parents (or what it sounded like, at any rate). One by one, Marco kneels at each criminal's side, bites down, and simply drinks until there's no more left to drink. Neat, silent and methodical.
He looks torn about it when he's done, all the same.
"Look at him. Scavenging like a vulture."
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[He clears his throat to see if he can get this Marco's attention]
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"I-- I agree. But that doesn't mean I like it."
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Pardon me, as I'm going to sound exceedingly harsh here, but you chose to live, rather than die, correct?
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The Parents' shadows loom over Marco. He seems to be bracing himself...
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The Parents are the ones who answer instead.
"Because he is a coward!"
"Because he knows his choice is selfish!"
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Yes yes, I know that, I want to hear it from him.
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... But he's clearly answered too quickly to have given it any thought.
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